![]() ![]() Both tropes offer iconic headgear and fantasies of racial empowerment. The black cowboy’s appeal is similarly venerable, starting with Nat Love, who rose from slavery to become a famous gunfighter and chronicler of the Old West, and continuing through a century of Hollywood movies, from Harlem on the Prairie (1937) to 2021’s action blockbuster The Harder They Fall. I made mortar for the Woolworth Building.” ![]() Du Bois wasn’t immune to Ancient Egyptian drag in 1913, he staged an elaborate historical pageant that featured crowds of worshippers thronging a replica Sphinx. Langston Hughes captured the time-traveling allure of neo-Egyptian identity in his poem “The Negro”: “Under my hand the pyramids arose. Who could forget Michael Jackson in the video for “Remember the Time,” shimmying before the pyramids to the delight of a Nefertiti-crowned Iman? Or Sun Ra in Space is the Place, wandering earth with his entourage of deities in a striped headdress? Ra, who exchanged his “slave name” for a divine moniker, famously declared that black Americans were “myths.” Yet even a sober sociologist like W. Of the many armored costumes black artists have worn in America, the pharaoh and the cowboy are perennial favorites. Ethiopia shall soon stretch out her hands unto God Psalm 68:31
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |